http://pan.baidu.com/s/1MWxm4VVMB1cbtJoo3LsMzw?pwd=3634作者:Marcos Mateu-Mestre
原名《Framed Ink 2: Frame Format, Energy, and Composition for Visual Storytellers》,经典的欧美漫画分镜教程第二册。
fig.2.13 composition,theme and panel These two panels are similar in fig.2.14
format The differences are mainly in the dynamics and the flow.
Fig.2.13:Essentiallyan oval shape(gunman on roof)“push es away(blue arrows) a line of walking charactersslightly arched due to this visual pres sure. This setup gives the roof top cowboy a presence that radiates dominationcreating a buffer zone between him and the dominated group
Fig. 2.14:The energy drives from the base of the fore ground rock all the way up to the cowboy's head,then suddenly drops all the way down through the posse's line An angular A-shaped dynamic creates drama byliterally reaching all the wayup...and then suddenly dropping
fig.2.16
fig.2.15
fig.2.17 fig.2.19
Figs.2.15-2.19:Afew mostly sihouetted, graphic compo sitions based on simple geometrical shapes. Inking with a rather thick brush does not leave much room for needless details, and remember,99% of the time simplification is great.
fig.2.18
Framed Ink 2·Marcos Mateu-Mestre·029
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